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WatchDossier Issue 23 - 2026
The Distance to the Object
Jul 12
•
Sergio Galanti
1
THE CLASSIFIEDS (BUT NOT REALLY) Vol. 13
Volume 13 · May 24, 2026 - July 12, 2026
Jul 12
•
Sergio Galanti
2
Telling Real from Real — Part II of II
Part I of this essay left the two clocks — the forward history of the object, the backward pull of desire — already set against each other by the year…
Jul 12
•
Sergio Galanti
1
Telling Real from Real — Part I of II
The steel automatic Daytona ran for thirty-eight years toward a kind of perfection. Its admirers ran the other way.
Jul 12
•
Sergio Galanti
1
Reading Time Sideways, Now in the Dark
The Digitrend gains a sapphire hood, its first lume, and a quietly humbler movement — while losing none of its conviction that 1979 was a mistake.
Jul 12
•
Sergio Galanti
1
What the Telemeter Measures
The outermost scale on Angelus’s new triple-function instrument was built to measure approaching danger. Fifty examples exist. None will ever measure…
Jul 12
•
Sergio Galanti
1
One Less Than Before
U-Boat takes a millimetre off its bestseller and calls the result a philosophy. The number on the dial tells a plainer story.
Jul 12
•
Sergio Galanti
1
June 2026
WatchDossier Issue 22 - 2026
The Said and the Unsaid
Jun 14
•
Sergio Galanti
1
Dictionnaire des idées reçues horlogères
A guide for the gentleman who wishes to be received in any boutique, salon, or forum as a person of taste, without the inconvenience of forming an…
Jun 14
•
Sergio Galanti
2
1
There is nothing wrong with your television set. Do not attempt to adjust the picture.
The Automated Horologist: A Voltairian Disputation on the Best of All Possible Times.
Jun 14
•
Sergio Galanti
1
1
The Painter's Bed
A homage reproduces the Daytona’s design with increasing precision, yet still fails to transfer desire—revealing that collectors were never really…
Jun 14
•
Sergio Galanti
1
On the Verb “To Develop”
A note on language, affiliation, and the prestige economy of watchmaking.
Jun 14
•
Sergio Galanti
2
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